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marble-running · 3 months ago

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okay hopefully this will not break your inbox this time so long as i don't send 30 images again

Yuri #1 - Anhane

very yuriful. their first (indirect) meeting is when kohane sees an performing, and wishes she could be as confident and passionate as her. this is actually what unlocks their sekai (vbs has some fate shit going on long story) and they get isekai'd into it although they don't remember that or meeting each other. kohane gets lost and ends up in an's dad's cafe some time later, and thinks an is really cool, but she runs out as soon as an starts talking to her. she comes back a week later because an's performance left such an impression on her, and they talk for a bit, then sing together, and an decides kohane is the one for her, so they become partners. i won't spoil the entire main story for you lol so i'll leave it there.

anyway over the course of the game (not in much depth) kohane starts to pick up skill very quickly. she's very naturally talented, moreso than an. once kohane starts getting mentored, an begins to worry that kohane will get too good for her, and leave her behind as a partner. kohane is unaware of all this and herself has some concerns that she's not as confident or impressive as An, though this isn't as much of a problem as an's abandonment issues. anyway they do work things out in the event the vampire yuri card is from.

for some other stuff. kohane is implied lesbian, she's very attracted to an in the second wedding event, and shows attraction to other girls too (mainly haruka). an is also implied lesbian, and her card story for the anhane/minoharu date night event suggests that she's like. legitimately dating kohane. a later card story suggests this too. haruka says that this is the first time an has ever acted like this with anyone, and the way an's parents act around kohane is almost as if she's an's girlfriend.

Yuri #2 - Minoharu

^ moment that is very important to me they're actually my favourite ship in the game. haruka is the one who inspired minori to be an idol, and she has been a huge fan of her for years. however when she meets haruka in person only to learn she quit being an idol, she decides she has to bring back the haruka she's always looked up to. haruka helps out minori with some training and advice here and there, but still doesn't go back to being an idol. it's only once minori finds out what caused haruka to quit, resolves it, and then puts on a show for her does she convince her to become an idol again. basically minori is able to remind her of why she loves performing so much, she just needed to see this person who she impacted so is so endlessless positive and full of love and passion. minori also reminds haruka of the person she looked up to and got her to be an idol but that's important later and i could go on about it for a long time but i think your askbox has a word limit.

minori is also like. very explicitly in love with haruka. not just like a celebrity crush like she's legit crushing on haruka really badly. there's just SO MUCH of it please check the tvtropes homoerotic subtext page for proseka i spent ages on the minoharu folder when i was 16. oh yeah also implied lesbian, though i tend to just assume its canon for her (and an/kohane/saki). it's implied that haruka reciprocates minori's crush to some degree but she's a bit dense sometimes.

Yuri #3 - Shizuai

first off i am still not over this card. okay so airi and shizuku first met when shizuku was new to the industry. shizuku was upset that she was a burden to the other girls in her unit due to being an amateur who didn't even intend to become an idol (some friends signed her up without her knowledge but she attended the auditions and passed). she was starting to cry, so airi gave her a towel to clean up with. this towel is shizuku's bonus item for gameplay purposes.

however, airi also harboured some jealousy at shizuku over time, since shizuku kept getting promoted and was incredibly popular and got lots of opportunities, whilst she essentially became a tv star instead of an idol. when shizuku quits because she wasn't enjoying being an idol anymore, airi lashes out at her. however this is resolved pretty quickly, and they both decide to become idols again for eah other, since they are each others' idol.

they're like. very clearly in love with each other. airi is attracted to shizuku and bought all the magazines she did photoshoots in and compares shizuku to a swan etc etc but shizuku says some REALLY gay shit sometimes like she has this whole monologue about airi's hands in airi's 3rd event and the card above is her returning a "magic spell" gesture airi did for her years ago. also i showed you the romeo and cinderella 3dmv so you get the idea.

Yuri #4 - Emunene

they are very important to me. emu is super friendly and affectionate with just about everyone. nene is her total opposite - shy and has a sharp tongue. there's multiple times early game however where rui (#1 emunene supporter) points out how nene has started acting differently around emu, she's smiling and laughing more, and is the only person she won't leave on read. in emu's first event nene wants to cheer emu up when she's sad, specifically saying that she wants to see emu's smile again. they become a lot closer over the course of the game, and nene's standoffish attitude around emu and slight annoyance at her going on outings with her completely disappear. they regularly go to each others' houses to watch movies or play video games or go shopping together now. they have an event where they enter a gaming contest together which is where this card is from. nene is also the first one to comfort emu when wxs is at risk of breaking up.

in emu's third event the vocaloids list off emu's favourite things as all being activities she does with emu, with luka going as far as to say that emu loves nene. nene gets flustered and tells them they're just regular activities for them. anyway they got "very good friends"d in the official english translation so you know they're gay. also it's loosely implied that they both like girls. they are very cute and very gay and emu clings onto nene in one area conversation to the point nene is blushing and then they share parfaits together and also got one together ON WHITE DAY.

yuri #5 - polyneed

DO NOT SEPARATE. theyre so devoted to each other it's actually sickening. okay so. they've been friends since elementary school, and then decide to form a band because ichika wanted to play some miku songs. when they're walking home one day there's a meteor shower, and decide to keep playing in the band and spending time together forever. ichika has like a baby gay realisation that she wants to be with them forever here and it's what causes their sekai to form. this yearning shit gets serious. anyway as they get older saki is moved to a faraway hospital, shiho cuts them off because she doesn't want her reputation affecting them, and honami cuts them off because she doesn't want to be bullied. when saki gets out of hospital she decides to get the band back together, and this is the plot of the main story.

anyway post main story the gay yearning shit gets serious. so shiho wants to go pro but the rest are pretty casual about the band. shiho is offered to play for a different group, but leoneed are willing to uproot their lives to stay with shiho. shiho also realises that leoneed is the only band for her. the gacha for that event is called 4=1. the event song is called one and starts as 3/4 time but switches to 4/4 time. the card above is from this set. it's all very domestic and happy leoneed life together forever. oh and then in the ichika event that just ran on en last month they reaffirm their promise under the stars. its shakespearean the star motifs here. okay so their recent world link event was insane. i need to waffle. they have this magic flying subway train in their sekai now. and it won't open. but then it opens for shiho but she won't board it until the others are there. because she only wants to go for her dreams if they're by her side. and then at the end of the event they all ride the train together. what the hell.

okay so saki's like. very implied lesbian. there's several indicators that she's into girls. tbh everyone in this game likes the same gender it's a japanese idol mobage they're all gay. fanservice or something. anyway is there a polycule implied in the funny miku taptap game.... i dunno? considering the industry, no, considering honami's self intro where she "sounds like she's confessing to them" and causes them all to blush, maybe. maybe the leoneed writers room is bad at writing friendship and thinks this is "girls hanging out" when it's actually "sapphic yearning off the scale". honami is also ship teased with another girl but i'm not going to put that in this already. ahem. very long ask.

Yuri #6 - Mizuena

okay now here's complex yuri. kanamafu is more yuri than them but alas i am not as invested in them and this ask is also a free pass for me to talk about my favourite prsk ships (minus the two yaois) and brainwash you with my agenda. okay so i've already explained the deal with mizuki and ena on that massive google doc i sent you. so despite their teasing, mizuki really does appreciate ena, and she thinks she's talented and values her art. while kanade is actually the one who saw true worth in ena and her art, mizuki still is supportive of ena.

ena->mizuki is about trust. ena sees that something is troubling mizuki. there's something on mizuki's mind and they won't spit it out. ena wants to know, she's not the most patient person alive, but she decides not to pressure mizuki and tells her she'll wait as long as she has to. but although ena puts her full trust in mizuki, they lie to her and tell her that they'll tell her eventually when they don't plan on it at all, still scared of what will happen when ena knows, and scared of losing ena (and n25), who they didn't even realise viewed them as a true friend until she said it in that moment. mizuki's second event still tears me up to this day it's definitely worth the read and i'm very excited for the anticipated mizuki comes out event in october.

oh yeah also it's implied they both like girls. you already know the deal with mizuki i used they/them here for the most part just out of clarity.

anyway those are my top 6 project sekai yuris. not in order i have all of them ranked equally except minoharu because some ships are more equal than others. if you have any other questions about project sekai shipping please ask me in my askbox or dms i need you to get invested in this game enough so i can ramble and you can comprehend it lmao

#project sekai #will this work #who knows? not I #anhane #minoharu #shizuairi #emunene #polyneed #mizuena #not me already kind of shipping emukasa before you sent this (but I'll see how the story progresses)#alright moment of truth

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rainbowchewynuggets · 1 year ago

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IT'S DONE IT'S DONE IT'S DONE IT'S DONE

I've been grinding away at this for months. I can't wait for people to see it. This project turned out to have a lot of gears behind it, so check out the artist statement below!

vvvvvvvvvvvvvvvvvv

I love this song. The first time I heard it, I already began picturing a story where a woman stumbled upon a gathering of birds in the forest and became so enthralled by their song that she partied with them until she became a bird, herself. It turns out that isn’t too far off from the singer, Yma Sumac’s, first experiences learning to sing. She would imitate the animals near her home in the hills of the Andes mountains as a very young kid, developing a vocal range that would make her famous later on.

From there, I fell into a montage of research on her life and the Peruvian festival music that defined her early career, as well as the complicated story of the exotica music she became most known for in the United States. I followed that up with a month-long dive into northwest Peruvian culture, mythology, ornithology, flora, and topographical studies. Then, I blacked out somewhere during the drawing phase, and now I’m here.

While I really value what I’ve learned while doing this project, I think it’s important to note that I did it all as an amateur researcher and a foreigner to the subject. I decided it would be a little conceited to try to make a totally accurate depiction of a traditional Peruvian festival, so I instead focused on referencing the regional variation of these traditions. Costumes and music have their own specific designs and textures depending on the area, and dances and festivities reflect local history. Yet, it all shares the same themes of celebrating prosperity and surviving hardship. Common motifs and characters reflect a shared heritage and cultural identity that coexists with individuality. It’s all just very cool to me.

So I asked myself, what if these birds had their own version of these traditions? What would a bird sing a folk song about? What would be new and cool to Yma, but still familiar enough that she could join in? (I got lucky, since Peruvian festival culture is already very reverent of birds and feather patterns.)

What I ended up with pulled a lot from the Carnaval de Cajamarca, which originated in the next town over from Yma’s childhood home of Ichocán. It also references these dances, among others:

Huaylarsh - Los Emplumados - Marinera - Tondero - White Dance / Los Chunchos

It’s also important to know that I took a lot of creative liberties with my research to pull the story together. I hope I haven’t used any elements in a harmful or insensitive way–and if I have, I’d like to know so that I can apologize. (I also missed out on some cool stuff, like the White Dance always having shaker beads on the legs.) I highly encourage you to have a look at some of the sources I did, and to look further if you’re interested. I found it all very enlightening, and I hope you will too.

Yma’s wikipedia, which seems like a mostly accurate overview based on other sources

Her official website, curated by a fan and friend

A segment on NPR about her musical career

The interview I got the opening from

The ornithology archive that saved my ass

I’d like to work on uploading all the frames as an image reel somewhere so they can be looked at individually. Might take a while, though.

Thanks for watching!

(To those using a screen reader, the video description follows this message. I'd like to apologize for putting the description as the last thing on the post. Not only is it extremely long, but this seemed to be the rare instance where the description would benefit from the context of the post's commentary before being read itself. I wrote and formatted this description in a way that I hoped would apply to aid various disabilities that impede enjoying music videos, and I am very interested in getting feedback.)

DESCRIPTION

[The following is presented as an animatic (a series of still images edited into a video) set to music. The art is drawn with condensed yet fuzzy pastel-like linework and full color. The song used is “Chuncho” by Yma Sumac. The song was composed to imitate the various sounds of tropical birds and animals. It has no lyrics, at least in a traditional sense. I, the describer, have tried my best to translate the especially abstract nature of this song into language that can be interpreted through text. Please use the best of your imagination to fill in the rest. An audio description will always refer to the visual description that follows it.

Audio: A male interviewer asks, “Since you are referred to the bird who became a woman in your native Peru, Ms. Sumac, may we hear your exotic voice?”

Visuals: A title card appears with gold lettering on a black background. It reads one word: Chuncho. The word is depicted as if it were carved into a flat surface with loose individual strokes.

Audio: A woman answers, “I will try to imitate the birds, as I did in my earliest years in the mountains of Peru.”

Visuals: Credits appear, also in gold text: Sung by Yma Sumac (Zoila Augusta Emperatriz Chàvarri del Castillo. Drawn by Carlie Hughes (rainbowchewynuggets).

Audio: The music begins with the steady four-note strumming of a guitar, which will continue throughout the song. Then, it is accompanied by low ragged notes from a heavy woodwind instrument.

Visuals: A green cicada flicks its wings as it rests on a plant with jagged leaves and a little white flower growing from the middle. Beetles of green, red, and yellow crawl around on trees and ferns among puffy yellow blooms. Yellow humpback beetles huddle together on a cold stone surface as mothlike butterflies cling to hanging purple-grey moss in the background. A cluster of butterflies of black, green, blue, orange, purple, and red flare their wings along stems and vines. A line of spiny cocoons hang from a vine leading up the center of the group.

Audio: A vocalist, the same woman as before, begins to sing in vocables. Her first notes are short, round, and bubbly, like the chirping of a small bird. The lilt of a flute follows.

(“B-bm, bui-bui-buiii…”)

Visuals: A small village sits on the side of a forested and scrub-covered mountain at night. Buildings twinkle with yellow and blue window light through the darkness. At the edge of the forest, a tall lean woman appears with warm orange skin, long black hair, a simple green dress cinched at the waist with blue trim on the neck, hem, wrist, and waist, and a powder blue shawl tied at the chest. She sneaks away from the village into the temperate tropical forest, glancing back to make sure hasn’t been followed. She grows more at ease as she leaves the buildings behind and strides between bushes, deeper into the trees. She passes a flowering plant with orange petals. Its bulbs are held aloft on long, long stems.

Audio: The vocalist sings in elongated threads of notes, wavering in a minor key in a mischievous way.

(“Whu, hu-uuuu…”)

Visuals: The woman grazes her fingers along a bush with little black berries and white spiky flowers. Her hand passes up and down with the shape of the bush, like the rise and fall of an ocean wave. She walks uphill, past pink clover and increasingly frequent stones.

Audio: The vocalist clicks and rolls her tongue with her notes, like drops of water splashing across stones.

(“Dlu, dlu-dlu-dlu-dlu-buiii…”)

Visuals: A voice suddenly gets her attention. The voice passes by as a green line with wide wave forms. The woman follows it. She passes through a stone forest–dense moss-covered rock formations that reach up toward the sky. The ground below is streaked with snake trails. The line of song is now yellow. It leads her forward along a trail through the rocks. She climbs a more precarious formation of boulders, through dense shrubbery and a dramatic rocky landscape. As the voice shifts redder, her colors shift pinker. Even the environment’s colors are shifting to pinks and blues. She climbs a hill, past tall spindly trees and a nearly vertical mountainside. The pink line of song leads her still upward.

Audio: The vocalist belts out the deep throaty call of a tropical bird trying to be heard far and wide. The notes increase in frequency, then widen into a whoop that softens to a murmur. The flute follows her with a few short forceful notes.

(“Ah, bya bya bya-bya-bya-bya-bya-byaaa, whoa-whoa-whoa-whoa-wi, wa-wa-wa wiii…”)

Visuals: When the woman reaches the top of the hill, a light shines up at her from the other side, returning her original colors. Below, she sees a gathering of human-sized bird people celebrating on a leafy platform. They’re dancing in different sized circles around a tree at the center. Rainbow colored ribbons of different lengths have been tied to the branches of the tree and hang down to form the silhouette of a condor. More ribbons and colorful bulbs hang from the leaves above. The line of song (now light blue) travels in a circle around the tree trunk. The camera zooms in, revealing details of the birds and their costumes. The birds are pigeons, hawks, cuckoos, seedbirds, and corvids. They’re all dressed in colorful hats, vests, slacks, and dresses with patterns that reflect those of their feathers. A circle of spotted woodpeckers closest to the trunk wear purple gowns and party hats. The party’s singing expands the blue circle of light. A wider circle of yellow, green, and white birds sit and watch the celebration from the edges of the platform. As a line of bright manakin birds zip by with their hands clasped together, the woman approaches from a nearby branch. She’s enticed by the party and joins the dance, clasping hands with a green parrot and leading the line with a broad smile on her face.

Audio: The vocalist makes a quick sudden series of escalating notes, then makes a hard sound with her teeth and returns to a low whoop. The flute echoes her.

(Ba-bana-baba-cht!, waw waw waw waw waw waw waw wiii…”)

Visuals: The birds switch to individual dances. A short red woodpecker and a tan long-necked bird with ribbons in her hair dance and sing together, their lines of song intertwining. The woman and three pigeons in red and black dresses stomp their heels in a quartet dance. She follows their steps flawlessly, familiar with the type of dance. When they begin to sing and whistle, she joins them–though her voice isn’t as strong as theirs and her line of song is thin and brittle.

Audio: The vocalist makes a low growl, at first imperceptible, that grows to a steady rumble. The flute follows.

(“Rhhh…, rhh, rhh rhhh…”)

Visuals: Then, the lights darken and redden. The woman stops to notice all the other birds heading to the back of the platform. They climb and flutter up to sit in fruit-bearing branches that grow just beyond. The woman finds herself a spot and picks a piece of fruit to eat. She takes a bite as a show begins. A band of various birds wearing ponchos and cloth hats sit down by the show platform. They play their instruments (flute, guitars and a drum) and count in the performance.

Audio: The vocalist makes more short bubbly chirps. They grow higher in small strings of notes until the phrase ends with a low long note.

(“Bom-bom, t-bom-bom-bom, mbom-bom wiii…”)

Visuals: Five owls appear, bathed in magenta spotlight before the center tree trunk. All of them have their yellow-spotted wings wrapped to mostly cover their black and gold-trimmed dresses. The four owls on the sides are short and red, while the one in the center is tall and bright purple. As all five begin to sing a golden song, they operatically open their wings and extend their feathers. As the light darkens to violet, the black and gold patterns in the folds of their wings leap out as if exposed to blacklight. They extend their arms upward and then double over to kneel on the stage, fully splaying their wings in a dramatic display. The woman watching is transfixed.

Audio: The vocalist rolls a noise from the back of her throat. Once, twice, three times–before hitching the roll up and down and letting it trail off. The flute makes a low hollow arc of a note.

(“Ghhh, ghhh, ghh gh-gh-gheee…”)

Visuals: Cut to the next performance. Two teams of blackbirds with long waving feathers compete, standing on each other’s shoulders to form two pyramids. The one at the top of each team lunges forward to try to strike the other with a long stick, propelled by their team. Their feathers glow with yellow light from above. The team on the left—with orange vests and red sashes—strikes first, only nearly missing. They gloat as the lime vest and green sash team on the right recoils and protests. Then, it’s the green team’s turn to take a confident lunge, forcing the red to frantically pull back in time to dodge. On the next strike, the red team buries the stick in the top of the enemy pyramid (actually tucked under the green leader’s arm). The victim feigns a mortal wound, and the entire team flies away. The red team poses, victorious. The red leader gets down to the floor to greet the widow of the green team, wearing a green dress. She peers at him from behind a silky black wing. As soon as he lands, she whacks him over the head with her own concealed stick. He is surprised. She is unamused.

Audio: The vocalist lets out a ghostly wail that wavers wildly like an eerie wind, higher and higher. A shaker instrument rumbles beneath her voice.

(“Woaaa… woaaa… woaa–”)

Visuals: Next, it’s dark. Three colorful birds in masks and costumes tread the air at an angle on the left side of the screen against a blue and green background. There’s a yellow spiky one, representing lightning. A blue round-feathered one, representing rain. And a spade-feathered green one, representing trees. Long beaded threads tied to their wings and tails wave and tangle across the screen as a group of five hummingbirds in shades of red struggle to survive the “storm” raging around them. The colored ribbons of the central tree are muted and flutter with the power of the wind. Two other birds hug the trunk, nearly out of sight. There’s a prop on the floor to the right made to look like a stone alcove, where more hummingbirds are hiding. The storm bringer birds beat their wings hard, casting the strings of lightning, water, and leaf shaped beads in huge chaotic waves. The five hummingbirds in vests and dresses wince and tumble against the wind, flying together in a tight circle. The threads crisscross behind them, an overwhelming force on the tiny birds’ scale. A red line of song floats up to reach them, guiding them down to the nest.

Audio: When her wail is at its highest, the vocalist pushes it further into the voice of a shrill songbird. The note hangs high in the air, then takes a few steps down and up. The segment ends with the sudden interjection of the low round voice–as if in surprise–and a trailing mumble.

(“Haaa, aa-aa aa-aa aa-aa, hoa? Ah, bw-huh…”)

Visuals: Those in the stone nest finish singing and reunite with the others, pulling them down to safety. A blackbird hiding behind the trunk spreads its wings, sitting on the shoulders of a brown woodpecker. The blackbird’s vest and wingspan are covered in yellow, signaling the coming of daylight. The storm birds retreat and sit still on a nearby branch. The wind is suddenly gone.

Audio: The guitar plays alone.

Visuals: After the stage performances, the audience members move back to the platform. They’re gathered off to the far left side of the central tree trunk, standing in a circle around a single figure. The light of the gathering area is deep plum-purple in far off areas and warm dull pink over the crowd. The empty space around the single dancer is salmon red, and the figure herself is blue.

Audio: The vocalist perfectly mimics the sound of a flutter, of delicate waving in the wind.

(“W-w-w-w-w-w-w”)

Visuals: The camera zooms in on her hand as it flits a pink handkerchief in the air.

Audio: The vocalist belts a pair of bold staunch vocables. The second note is held for several seconds before fading out.

(“Kyen, kyen…”)

Visuals: The camera pulls back to reveal the rest of her. She’s a blue eagle with wings that grade from red at the arms to pink to blue at the wingtips in a wavy pattern. Her smiling beak is bright pink. Her dress is royal blue with reddish-pink trimmed ruffles on the hem of the skirt, waist frill, neck frill, and the flower decoration on the side of her head. She stands with the hem of her dress in one hand and the handkerchief extended in the other in an open invitation to dance. A pale pink spotlight frames her head and shoulders against the darkness, and a dark pink line of song passes behind her. Her partner, an eagle of the same coloration with a blue vest and pants, pink shirt, pale orange sash, a blue hat in one hand, and a pink hanky of his own raised in the other, is calling to her. He puts his hands behind his back and takes high steps toward her. When the two are close, they turn and walk parallel to each other in a slow circle. The male’s back is to his partner. He looks at her over his shoulder with a smile and abruptly splays his feathers to be cute. There’s a layer of pink under his outer coat. She grins, entertained.

Audio: The vocalist repeats the two vocables, twisting the end of the second up into a high wavering trill that eventually soothes and disappears.

(“Kyen, kye–eee, ee, eee, ee…”)

Visuals: The two turn to face each other, circling tighter and tighter in unified song until they’re face to face, looking deep into each other’s eyes. With another turn, they’ve passed by each other and out of sight.

Audio: The vocalist makes a whisper, a ghost of the two vocables. Then, a few quick whistles, barely loud enough to hear.

(“Hyo, hyo”)

Visuals: The woman, who has been captivated by the dance, suddenly notices that the crowd has dispersed around her. Partners are walking off in all directions, leaving her alone. The dance is over.

Audio: The guitar picks up, getting faster and louder for a bit.

Visuals: The woman walks alone in the blue night air along a tangle of tree branches that form a pathway. She walks with her hands behind her back, her face looking preoccupied and a little disappointed. Bushels of soft leaves pass by in the background.

Audio: A high, light pleasant note from the vocalist overtakes the guitar. It grows until it fills the soundscape.

(“Aaa…”)

Visuals: An orange song reaches her from the direction she came, and she stops. When she turns, she sees a blue swift standing on the branch path, far behind her in an opening in the trees. The underside of his feathers is dingy orange, and he’s wearing a black vest, white pants, a rusty red sash around his waist, a bright green kerchief around his neck, and an orange rectangular accessory tied around his neck like a necklace. His face is obscured by a white hat with an orange band. He bows low with a hand on the hat. The hat comes off, revealing inviting eyes and a smiling orange beak. The woman grins and accepts the invitation with determination.

Audio: The vocalist draws long high vocables that resemble a wail. They trail off with a low note.

(“Whoa whoaaa…”)

Visuals: She and the swift untie the fabric around their necks and step toward each other as the line of song forms a ring above them. The woman holds the ends of the shawl in her hands and her hands at her hips with the body of the shawl hanging behind her waist. The bird holds his kerchief out in one hand with the hat in the other, held behind his back. He takes measured winding steps along the branches. The woman mirrors his steps, then pushes off of the main path and lands on an outcropping branch.

Audio: The vocalist’s song wavers back up and demurely bobs up and down, intertwined with tweeting from the flute.

(“Hoa… ohee…”)

Visuals: Her voice, seafoam green and a little stronger than before, trails behind her. She darts back onto the main branch and ducks behind the bird, then circles around to face him, the two only a few feet apart. They exchange steps pushing the other forward and back and flicking their garments in time with their movements. The woman’s voice grows stronger, nearly matching his. The bird quickly catches up as she moves backward, dancing beside her. The two dancers then leap from the main branch and fall down into the rocky forest below, passing by grassy plateaus and vines creeping through stone. Their song follows all the way down. They leap across boulders in the moonlight, side by side. The swift suddenly stops and folds his kerchief around the center of the shawl, hitching the two together.

Audio: The vocalist belts a complex series of syllables that mimic the heavy majestic cawing of a large bird or hawk. The flute makes itself known a little as the voice fades out.

(“Hlau-lau-lau hau-au-wau-wa-wiii…”)

Visuals: The woman, at the receiving end of the momentum, is swung wide and lets out a vibrant complex line of song that could match any bird’s. The two pull closer to each other and end their song on a low steady note. Then, they bow to each other as the camera pulls back. They’re standing on a rock that rises above a basin of water among huge formations of rock. Pairs of birds dance all around them in the shallows.

Audio: The guitar takes over for a bit.

Visuals: The camera cuts to an upward view of a varied group of birds sitting in branches, staring downward with interest. The light from the moon coming down through a break in the trees above is now cool green. The light coming up from where the birds are looking is orange-red.

Audio: The vocalist lets out the aggressive growling of a cat.

(“U-wau, wau-wau-wau-wau”)

Visuals: Below, the woman is dancing in a line with three reddish woodpeckers in a greenish clearing in the trees. They wear intricately detailed dresses in different combinations of bright green, yellow, red, and black with geometric and floral embroidery. The dresses are cinched at the waist with a piece of fabric covered in colored bands. Their heads are covered in scarves with the same colors and patterns. They sing and step aggressively toward the left of the screen. At the other side of the clearing, a line of four red and white faced woodpeckers with green beaks and wings face right. They wear bright green hats, kerchiefs, and sashes, yellow and black striped vests, and dark red pants with yellow tassels at the ankles. Their black shoes tap against the ground as they make quick little dance steps and flutter yellow handkerchiefs. They hold onto the brims of their hats and then lean down with a flourish of their arms, exposing the red crests of their heads sticking up underneath. The dance then changes formation. The girls dance in a line to the left as the boys step in a line to the right.

Audio: The growl hushes down to a wavering whisper, like wings beating in the dark.

(“Tchwahh-cwah-cwah-cwah-cwah-cwah-cwah-cwah…”)

Visuals: Out on a cliff by a waterfall, the scene is bathed in cyan. The line of dancers–alternating male, female, male, female–do a hopping dance from partners on the left to those on the right and back again as they move along the cliff, passing behind the waterfall as it disappears into the greenery in the foreground.

Audio: The guitar asserts itself again.

Visuals: Everything is suddenly red. A guitarist in a blue poncho and a red neck sash frets the neck of a guitar with a brown feathered hand. Rainbow ribbons are tied to the headstock. A deep orange song emanates from the strings.

Audio: The vocalist quickly accompanies the guitar with a harmonized version of the growl that revs up climatically, taking steps up the scale until it’s at its absolute height.

(“U-wa-wa ee-ee eh-oh! Oh-oh-oh-ohh!”)

Visuals: A congress of the partygoing birds stand in lines facing each other, all wearing blue outfits with red kerchiefs with rainbow tassels on them. The group jumps up and down in unison as part of a dance. The party breaks into smaller dances, and the woman dances by herself. She’s wearing a green skirt and flowy purple top with red underskirt, waist cinch, and scarf. Rainbow tassels are attached to the overskirt, and they swish with her movements. Beside her are a hawk woman and a pair of long billed bird men dancing in a circle with their ankles locked. A pair of red birds with white streaks on their wings suddenly hoist the woman into the air, as other birds are hoisted in the distance. As she’s held aloft, she sings and spreads her arms, revealing more tassels on her top, resembling wings. Her song is immense and beautiful. The camera focuses on one of the hoisted birds in the background, who has executed a handstand with the person who threw them. The blackbird’s feathers are all sorts of bright colors. The song passes by behind him. The excitement of the party disguises the presence of a looming pair of yellow slitted eyes peering out from a dark spot between the leaves nearby. A trio of purple pigeons dancing in a line with twigs and colored strings in their hands dip and weave together. The one in front balks, noticing the threat at last.

Audio: The high energy of the music suddenly cuts out. The shrill call of a small bird climbs up out of the silence.

(“Eee…”)

Visuals: A striped short legged pampas cat pounces into the center of the dance field. It misses the birds, but the illusion is shattered. The bird people are just birds again. They fly in a frenzy up through the trees to the safety of the early morning sky. The hilltop erupts with silhouettes of wings.

Audio: When the small bird’s call is at its highest, it tumbles back down and transforms into a low disquieting wail. The guitar re-enters.

(“Ee-ee-ee-ah-ahh ahh oohhh…”)

Visuals: The pampas cat has retreated into the dim tawny forest. It stands on a bent tree branch among bushes and hanging moss and stares into the camera with glowing yellow pupils. A tiny rodent scurries by and into a bush. The cat notices and darts after it. Nearby, dozens of bats hang from the underside of a rock formation that extends over a field of berry bushes. Their sleepy heads are tucked into their folded wings. A straggler flaps up to join the rest as the sun continues to rise. Elsewhere, a hive with wasp-like insects resting on the outside hangs over a rock. Sunlight gleams over the scene from a break in the trees in the background. A large brown mouse climbs up on the rock, backlit by the sun. It grabs a wasp in its teeth and leaves before the rest of the hive can wake up.

Audio: The vocalist makes a low steady murmur. A couple shakes from the shaker instrument follow.

(“Hoo…”)

Visuals: A colony of green and brown frogs with purple eye ridges, yellow faces, and orange bellies are asleep on dewy ridges of rock. A green cicada hangs out on a leaf off to the top left corner. The mouse jumps down through their resting spot, waking them all up. The frogs croak a green song as the cicada hangs on for dear life on the swinging leaf. The wind moans through the crevices of another stone forest. The little flowering shrubs that grow on the rocks bristle in the breeze. A variety of green, yellow, and blue lizards poke their heads out of the rocks, into the morning light.

Audio: The vocalist repeats the murmur. The flute follows this time.

(“Hoo…”)

Visuals: The camera pulls back to view the entire rock formation. The still rising sun shines only on the top half of right-facing stones. Long spindly tree trunks grow from the top left, out of sight. Long grass waves on the ground below. An alpaca-like vicuña raises its head from the long grass, facing the light. In the branches of the trees above, various birds perch facing left.

Audio: The vocalist makes a mysterious sound that begins as a harsh sound between her teeth and ends as a whisper. It echoes in the background.

(“Chwah-ah…”)

Visuals: The camera turns back to the village. Golden light casts diagonally across the brown roofs and tan buildings. The silhouette of a small bird flies toward the center of town.

Audio: The vocalist makes the sound again, then pulls the whisper up into a harsh repeated rasp from the back of her throat.

(“Chwah-ah qwah-qw-qw-qw-qw-qwah-qwah-qwah”)

Visuals: Down in between the one-story houses, the bird flutters down. Long shadows lay across a passage leading toward a door on the side of a building. We see the shadow of the woman land in the soft dirt path where the bird’s would have. She heads toward the door at a walking pace.

Audio: The call returns to a whisper. The vocalist clicks her throat in a short series of hollow sounds, nearly like the creaking of wood.

(“Qwk-qwk-qwk-qwk-qwk, qwk qwk qwk qwk”)

Visuals: As she opens the door to enter the purple interior light of the house, we see that she’s back in her green dress, but now her shawl is red. The sun glints in her hair. Before she goes inside, she looks back and winks at the camera with a smile. Then, she slowly pulls the door behind her until it’s shut.

Audio: The vocalist lets out her breath entirely as the accompanying music trickles into silence.

(“Haaa…”)

Visuals: The screen is black for a few seconds.

Audio: The high whistling call of a green manakin can be heard over the rustling of forest trees. The call’s tone is raised at the end, like it’s asking a question.

(“Twee?… Twee?… Twee?… Twee?”)

Visuals: The end card appears. Yellow and green lettering and a border lay on a black background. The text reads: Yma Sumac. Peruvian soprano and composer. October 13th 1922 until November 1st 2008. Biographical and reference info in description. Chuncho, 1953. Written by Moises Vivanco. Capitol Records, Universal Music Publishing Group. Carlie Hughes. Tumblr @rainbowchewynuggets. www.carliehughes.com. End ID]

INDEX

#chuncho song #animatic #chuncho animatic #night festival animatic #the night festival #yma sumac #the birds #the forest creatures #this was supposed to go up on her birthday but i got sick aaa #Youtube

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minsarasarahair · 2 years ago

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Vesper Noir's art journey is very inspiring. I think he might be the best vtuber to follow if you want to learn or go back to drawing at late age. To have fun in drawing as your new found hobby.

You thought it would be Magni but no LOL Magni's art stream is like an art commission speedpaint or drawing with fellow great artists. He works fast but not helpful if you want to learn or you're starting out. Magni is the best option if you just want to watch someone good in drawing and majority of his fanbase are already good artists. Magni being an inspiration might be helpful but his art stream is definitely not amateur friendly. Yes, he do challenges here and there but I think his target audience are already artists. I find his stream intimidating if you're not like him. Maybe if Magni do a collab stream with Vesper as his art teacher? That will work?

Vesper on the other hand, he analyze and ask questions to his Chat such as "Why the light is here?", "What is a filter?" etc. In other words, you have a perspective of someone who's not expert in art. His art stream gives me a vibe of classmates working together to study something because you don't have teacher to ask for help. He's slow and might be frustrating but that's what it means to be a beginner. Struggling is part of the process. He do experiment with enthusiasm and make mistakes. He has this child wonder that's very important to enjoy making art as hobby. His art stream prove you don't need to practice hard everyday. What's important is to know how or "to think" what you draw. That's probably why he improve fast. He try something new whenever he draw too.

He also do an art review to "break down" his fan arts as a form of his art study so that he can learn something from it. He share his line art as art exercise for his viewers so they can color it. Recently, he said he want to do a short fan arts review every week to appreciate and learn from it. Did I expect him to find drawing as new hobby? No. I watch him because he's a natural storyteller and you can tell that he put storytelling as part of his art sense when he draw. I love it tho.

Here are the vods that show his improvement as artist. He started with MS Paint and using Mouse but now he's learning Clip Studio Paint and his Cintiq.

【 MS Paint 】Crafting Tempus MS paint memes

【 MS Paint 】CRAFTING AN ARTISAN, SINGLE SOURCE, SUSTAINABLY HARVESTED AXEL MEME

【 MS Paint 】Fan-requested Tempus Meme artwork stream!

【 MS Paint 】Fan-requested Tempus Memes: Altare day

【 MS Paint 】Fan-requested Tempus Memes: Axel day

【 Art Stream 】Going from MS paint+mouse to a Cintiq Pro, I AM READY TO LEARN TEACH ME

【 Art Review 】 Vesper Noir, but this time he's beholding your beautiful birthday creations

【 Art Review 】Checking out my birthday gifts! Thank you!!!!!!!!!!!!

Membership art streams (Bettel, Flayon, Hakka, Shinri) and more!

Example of #ColorMeVes entries

【 Art Appreciation 】Checking out some beautiful fanart! Don't let me go over 1 hour I need to rest

#i used to watch magni second to vesper #but his community sure is scary #vesper noir #noir vesper #vtuber #holotempus #holostars #tempus

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askagamedev · 1 year ago

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A friend of mine wants to become a game designer without learning any other disciplines in game dev, he seems very sure this is possible but his confidence comes off as "idea guy" to me. I like thinking about design as well and how it could all fit together cohesively but I'm worried he's setting himself up for failure by not learning another discipline to go along with it. Am I correct in this thought or am I being an jerk?

It mostly depends on what kind of design career your friend wishes to pursue. Generally speaking, having at least some understanding of other disciplines is very helpful for a designer. If a designer doesn't understand the technical and asset constraints she's working with, it can make for a lot of wasted work. My grand idea of a huge battle between massive armies is mostly impossible if the engine can only handle 12 models animating on screen before the frame rate drops.

If he wants a career in AAA games, he will need specialized expertise. That might mean working on combat, quests, cinematics, narrative, itemization, UX, enemies, levels/environments, or any of a number of other specialties. These specializations don't necessarily require external disciplines like programming or artistic skills, but they do require some pretty specific skills all their own. A cinematic designer doesn't need to understand how to code but does need to learn how to use tools like Source Filmmaker to stage and block cinematics. A level designer doesn't need to create the individual assets, but will need a rock-solid understanding of how the placement of objects and division of space can create places that are intuitive for players to navigate.

If he wants to go into the indie space and work with an extremely small team, he's going to need to wear a lot of hats. Indie devs can't just come up with the ideas for the rest of the team to build them out; there just aren't enough people to handle that kind of workload. At the very least he'll need to create his own assets and/or write his own code. Small teams generally can't afford to have single-discipline specialists, so multidisciplinary generalists tend to succeed in this space. If you look at any indie game, you'll generally see a small team of a handful of devs who are each responsible for a huge amount of different kinds of work.

If your friend is looking at a career in game design, he only needs to be multidisciplinary if he's going the indie/small team route. There's just too much work to be done without enough hands to do it within a small team. If he wants to work in AAA game dev, he will need to demonstrate that he has significant expertise in his chosen design specialty in order to put himself ahead of the hundreds of other candidates competing for the same job. In both cases, employers will want to see examples, either professional or amateur, of game design work that the candidate has done. I wish him (and you) the best of luck.

[Join us on Discord] and/or [Support us on Patreon]

Got a burning question you want answered?

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#game career advice #educating the next generation #game designers #working in the game industry

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lilapplesheadcannons · 2 years ago

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r/trueofmychest : u/bunnydad920

I am married to an intelligent idiot. And I love him so much.

As the title says, my husband is a genius. And I am not talking about booksmart only. He was a brilliant student who challenged the most seasoned of our professors. He's quick-witted, insightful, discerning, and very accomplished in his field. However, when it comes to me, he's as thick as two planks. And he's not doing this intentionally. I know him. He hasn't got a malicious bone in his body.

I have been in love with him since high school. I was a shy teenager and struggled to confess my feelings. My husband would tease me constantly. He'd ask me to join him and his friends in their escapades. But my natural shyness would prevent me from even speaking to him. My brother tried to play amateur matchmaker, but even he gave up trying to bring us together. I accepted my fate once we graduated high school.

But things improved once we entered university. As a last-ditch effort, brother asked him to keep an eye on me. Thus, my husband took on the role of my guardian. He would bring me food his sister made. He'd constantly call me. He bought me rabbits when he learned that growing up, I had no pets. I started to become hopeful despite myself. My husband seemed to accept my feelings and was reciprocating. He would sometimes tease me with other girls. But everyone told me that was his way to dig for my response.

We became official after I drunkenly confessed to him. I still remember the night. We snuck into an aquarium and laid down to look at the sting ray exhibit. With our fingers interlaced, I was feeling lightheaded, euphoric. I bought him chicken as per our traditional proposal. He smiled at me, then accepted them. I wanted to kiss him but waited because I wasn't sure if my drunk mind would remember the feeling of his lips on mine. We spent our final year being foolish, almost giddy in love. He'd tiptoe in my room to rest his chin on my head. We spent most of our time in the library where he'd steal a glance at me before hurriedly lowering his eyes. He made me forget all my regrets of not being more proactive at high school. After graduation, we took our relationship to the next level. We met each other's siblings before. But now we have met the parents. I was his plus one to his sister's wedding. My parents started to push for marriage gently.

My husband probably read the cues. He invited me to a trip. My brother-in-law joked that it would be my engagement trip. Instead, we eloped and got married. Our families made us go through a more formal ceremony anyway.

We have been married for the last 8 years. We have a beautiful baby boy together. Tonight, my husband came to me after putting our child to bed. He said he has been hopelessly in love with me since high school. All his teasing was efforts to gain my attention. He wanted me to see him, only him. And I did. What can I say? I wish we had spoken up sooner. But our time together nevertheless wipes out any trace of regrets that I can possibly have. Yes, I wish we were together sooner. But we ended up together anyway. He's an idiot. But how am I any better? Now I can sympathise with my poor brother, who had to see us, two lovestruck fools every day. Anyway, I never expected to write so much. Thank you for reading till the very end.

Edit: Thank you for your response. I don't know why many of you assumed I am a woman. We are both cis men.

#mdzs #mo dao zu shi #mdzs headcanons #mdzs crack #wei wuxian #lan wangji #lan xichen #wangxian #best wingman Lan Xichen

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chocolate-cream-soldier · 1 month ago

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//spoiler talk for Agatha All Along...I am just having feelings ...this is me rambling so these are basically tag rants but since there is apparently a tag limit now... we are here!!!

okay I am going to talk a bit about teen

cause all these discourses are kinda going around in my head and I need to vent about it

-He is an amateur obsessed with witchcraft and in extension with Agatha…so he wanted Agatha to take him to witches road

-He said he wants power to cast to shield to do spells as he is lacking them

-Of course now we saw in the last epi he already have these powers but I think it's more of a emotional outburst than him actively channeling

-He was distraught over Alice's death with whom he bonded the most, and he felt betrayed and belittled by both his hero and the rest of the coven

-Calling him a pet, familiar etc. not letting him have a say not counting him as part of the group…and he desperately wants to be a part of this community ….it shows...

-He is always so eager to learn and gets excited about all the witchy stuff

-But he also deeply cares about them

-He is the one who from the beginning was trying to keep the coven together

-Asking them to work together

-When Sharon died he is the one who said that they were all suppose to look after each other and they failed

-He is the one who said people can't be replaced

-In Alice's challenge when both Jen and Agatha were blaming Alice, he is the one who asked them to leave her alone

-Even during the last trial when the entire coven turned on Agatha he kept reasoning and pleading with them not to do so

-He was concerned for Agatha …saying there has to be some other way

-When Agatha was pleading with the coven to not leave her behind…I know Rio stood up for her

-But so did Teen

-He was literally moving forward to grab Agatha away from the ghost when it re-possessed her and then Alice stepped up

-He snapped only when they all failed to revive Alice and then left her there

-And he realized that they are always going to be selfish and they will never consider him an equal

-He is a teenager

-He is lashing out

-This is understandable…..they have been very callous and at times cruel towards him; he is allowed to have this enraged reaction

-I don't think that makes him some mastermind who was orchestrating the whole thing from the beginning.

-I could be wrong but his enthusiasm felt genuine when he came to Agatha

-Obviously we don't know anything about his backstory

- While Agatha was trapped in the mind-spell…what exactly was he up to?…why did he come only at this point to break her out of her spell?

-Since I hear we are getting a teen specific flashback next, I guess they are going to answer those in the next epi/epis.

-So yeah it could be that he is trying to avenge Wanda or trying to find his brother but for me it just feels that he wasn't disingenuous with his intentions initially.

-Watch me getting proved wrong... may be I am reading too much into it.

-I have my biases …the Teen/Agatha relationship is very much akin to Regina/Henry in my mind... maybe I am projecting!

-Oh well it's gonna be answered soon I just want their relationship to grow and evolve and not regress I am invested in them ok ugh...I am going to shut up now...

If anybody wants to chime in feel free...and whoever is reading this ...if anyone actually is.....thanks for putting up with my nonsensical outbursts lol!

#aaa meta #is it tho #Teen/Agatha discourse #\it's more like a rant #eh #I be talking to the void #tag ramblings #for ts

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tubbytarchia · 1 year ago

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hi hello its the silly guy w the crazy long comments on your How can I forgive You? animation, i am just still. so in awe of your talents

if you dont mind me asking, how did you get into learning animation? your control and deliberate movements/isolation are just. So well done

Waaa hii thanks!!!

That's a good question! My very first animations have been lost to time but I started on a website called Toonator, which is responsible for everything lol. All I can really suggest to mimic what it was would be just to get any art software with onion skin and instant playback options (and no more clutter than that. Not even snipping or resizing. What you draw is what you get), because that's all my little self in 2012 (I think?) needed to start experimenting! I never looked at any tutorials etc, and that's just a me thing, in creative mediums, I love to figure things out myself first and foremost. I just kept animating and slowly picked up on nuances of what made animation feel smooth like, bounce and stretch and slowdowns in frames adjacent to keyframes? I must have picked up on a lot of things through osmosis - seeing what others did on Toonator and subconsciously mimicking it? I can't really quite imagine a scenario like that nowadays unless there's other websites like it now, where every animator is on equal footing and pretty much equally visible, which made for a great environment of seeing some really good animations, but mostly amateur ones. Kinda felt like all of us just learning together, I guess? I've no idea how to really put it into words but it was amazing for little inspired me to kickstart my animation abilities, and I kept animating there up until 2020

#Sorry if this is a tangent #I have like no idea how to put it into words or make it undersatndable #blabber

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game-set-canet · 1 year ago

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can i get a domi thiem imagine where his gf loses a match and its rough on her and he cheers her up

An (un)fortunate way

Pairing: Dominic Thiem x f!reader

category: fluff, bit of sadness (i guess?)

warnings: none

Author’s Note: sorry that it took me so long to publish this imagine - life can be very hard sometimes, but i hope you like it! also: English isn’t my first language, so I’m very sorry for mistakes!

* Y/N = your name * Y/L/N = your last name

MY M A S T E R L I S T

(not my gif! credits to the owner/creator!)

♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦ - ♦

You just lost the match.

A lump is forming in your throat as you walk to the net for the handshake.

You lost the match. Which means: no second round for you. You lost the first round of the US Open.

“Don’t you dare start crying in front of the whole crowd!”, you try to admonish yourself. Your hands are shaking, and you are barely able to speak, your "congrats! very well done" at the net is more a huff than actually pronounced.

Your match was a disaster – just like the rest of your season. But losing the first round of a slam was a new low in your negative series of tournaments.

As soon as you stepped into the tunnel your vision becomes blurred because tears start to well up in your eyes and when you realise that the camera crew behind you is turning around and leaving, you start to cry.

*** *** ***

Your team is already waiting for you. Your coach is the first to approach you, you can see that he isn’t sure what to say: “That was…unfortunate.”

“Unfortunate?!”, you hiss through tears, “I played like shit! I have seen five-year-olds playing better than me!”, more and more tears are streaming down your face.

“No, Y/N, you-”

“Stop it, Dad!”, you drop your bags on the floor and try to push past them. You don’t want to talk to them or even see them, because they would immediately start to try cheering you up, saying things like: it's not so bad, it could happen to anyone – and that’s a lie. You shake your head and give them a sad and at the same time contemptuous look: “I don’t want to hear it! It would have been lies after all…”

A hand carefully grips your right wrist and holds you back with gentle force.

You don't have to turn around to know that it is Dominic.

"Let go of me, Domi," your voice is shaking, “I want to be alone.”

He immediately shakes the head: “No, you don’t.”, he is almost whispering.

“Domi, I just need a few minutes for myself, and I don’t want to talk with anyone!”

“No talking then…but let me come with you…”, he smiles shyly at you.

“I…I just…I- I need…I don’t know what…”, a single tear runs down your cheek and you look at him desperately and helplessly, “I don’t know how to step in front of the press now.”

“Take your time. They can wait.”

Domi would never ever let anyone wait for anything. He was way too polite for that. But when you two got together he kinda sorted his priorities new and from the very beginning he has put you above everything and everyone.

You can’t help but smile a little and nod.

*** *** ***

You found an empty massage room.

You sink down the wall and sit with your legs drawn up on the cold tiles while Domi locks the door and then sits down next to you.

After some minutes of silence, you whisper: “Can you imagine how stupid I am? Like…I fucked it up. I fucked up the first round…all the preparation for nothing…”

“It’s not nothing, it’s a lea-”

“Don’t you dare saying ‘It’s a learning process’!”

Domi closed his mouth again and lowered his head in embarrassment. Instead, he grabbed your hand and gave it a light squeeze.

“I mean…I played like an amateur! Foot-fault, my first serve was nowhere to be found, more double-faults than in my entire last season, not a single solid volley and don’t get me started about the stops…”, your voice breaks and tears start running down your face. All you felt was disappointment, anger at yourself and pain. And shame.

Domi hesitates, cradles his head from one side to the other: “You…you do realise that you're making it sound worse than it actually was, right?”, he takes a deep breath and quickly continues talking, “Yes, you didn't play well but your opponent played the best match of her career so far! I think, your coach is right: it was unfortunate.”

You smile a mirthless smile: “Ah, yeah, of course…and my bad run in Cincinnati? Or during the Canada Open? Wimbledon was embarrassing and I got beaten by 7 players outside the Top 20 and 3 players outside the Top 90 this year and-”

“And you came back from a serious injury in April.”, now Dominic looks directly at you, “Yes, you had an unfortunate run during the last couple of weeks and yes, there will be one or two ugly headlines about today’s match and yes, some people will talk shit but haters gonna hate. And we both know – and everyone who understands and loves tennis knows – that you are more talented than 90 % of the whole WTA tour and that you gonna be back at your best soon…just…don’t be so hard on yourself. You’re doing pretty amazing…”

You stare at him and feel a knot in your throat: “Don’t do this!”

“Do what?”, Dominic frowns, apparently he had expected a different reaction from you.

There is a little smile on your lips: “Don’t try to cheer me up!”

“I’m your boyfriend! I HAVE to try to cheer you up!”, he starts laughing softly, “That and after we got back to the hotel I’ll organise you as much chocolate as you can eat, and we’ll watch your favourite movie-“

You look at him with big eyes: “But you hate that movie!”

Your boyfriend shakes his head vigorously and makes a throwing away hand gesture: “Shhh, that’s not the topic of this conversation! Sooo…we will watch your favourite movie and you will drink your favourite tea and-“

“The hotel doesn’t have Rose-Lavender Tea I already asked at the reception yesterday and-”

“And I have a little bag of it in my suitcase, so: no worries!”

You don't hear the rest of what he says, you can only think about how much you love the man next to you.

You rest your head on Domi’s shoulder and close your eyes: maybe Domi was right, and this bad run was just unfortunate and even if the rest of the season will be as bad as it is now, you know everything will be okay. Because you have the most amazing man by your side.

#dominic thiem x reader #dominic thiem x you #dominic thiem imagine #dominic thiem fanfic #dominic thiem fic #tennis imagine #mira's imagine #my writing #my imagine #tennis imagines #tennis fic #tennis fics #tennis fanfic #tennis fanfics #tennis fanfiction #tennis fanfictions

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jumping-joey1104 · 1 year ago

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Eyy! Could I possibly get a slenderverse matchup? I’m Brynn, or B. :] I’m 5’2, I go by she/her but don’t really care all that much, and have dark reddish hair and really pale grey/green eyes. Aesthetic ™ consists of plaid shirts, dumb graphic tees, and toques (or “beanies”) I am autistic and have GAD. I’m very friendly, and cracking jokes, as soon as you meet me, but it might take me a while of getting to know you, to become less awkward and reserved.. Show my true colours. Those being, I’m a cryptid that stays up all night, eats your food, sends you cursed images/memes you didn’t ask for, and brings dead things to the house. I’m fascinated with taxidermy, and come from a family of hunters. I collect a ton of weird stuff, and if you gift me something like a weird bug/rock/bone/mushroom etc, you found on a walk, I’ll love you forever. I love bugs, and you have to be okay with that. I keep bugs as pets, and will drag you outside to look for bugs, this is a threat /j Not only do I love bugs/reptiles/weird animals, but I also LOVE horror movies. I’m easily excited by gore, and endlessly thrilled by practical effects. I’m an amateur SFX artist with my certificate in fake injuries for film, so expect a lot of fake injury stuff too :] - Thank you!

(Ay you're my very first request!) Alright, after careful consideration I have chosen the one and only

EVAN MYERS

Friendship

It's your quiet attitude and your t-shirts that first get him, the fact that he finally meets someone that's the same height also makes him want to stay by your side (tiny squad).

Sometimes he'll try to steal your t-shirts, don't worry though! He'll let you steal his and it's his favorite thing when you two trade your graphic tees

My thought is that you two first meet as the group starts recording their fitness videos, the two of you staring at a large bug together as he tries to figure out what kind of bug it is.

After that when you show him your collection of weird stuff he loses it and will bring you weird looking rocks and other knick-knacks he finds while filming with the boys.

He's always willing to go out into the woods with you, it's not like he's scared of all the bugs and animals in the woods. Although you might need to remind him that he'll scare off animals if he keeps stomping around

After a while he always keeps his phone off silent and extra leftovers in his fridge for you, always planning on a late night sleepover filled with horror movies and snacks.

Although he quickly opens up to you, he understands that it'll take a minute for you to warm up to him. He'll be worried about scaring you with his energy and knife collection so be prepared for lots of gifts and snacks

Dating

Even if you guys don't stay friends, it wouldn't be much different dating him

It'd be a rare occurrence that you two go out in public, why go and pay for food when he can make you two a dinner at home?

Blockbuster only closed in 2014 so up until then it was a date night to go and pick some horror movies together and stay up till morning watching random scary movies together

He quickly gets used you bringing home dead animals, has about 3 cans of Febreze under each sink just for that reason

When he learns about your GAD he becomes a little bit over protective of you, making sure that you're ok constantly and hesitates to bring you around new people

After a while he gets better at his worrying, you two making a kind of code word for when it's too much for you in a situation

After dating for a bit you can find him wearing more of your t-shirts and some of his in your drawers, don't question how they got there (He put his in and traded them with yours whenever he comes over)

He definitely lets you practice your SFX on them and you two for sure have sent the photos to the rest of the group to give them mini heart attacks

But in the end of the day, even if you stay friends or end up dating there's no difference except for some extra affection and a title.

#everymanhybrid #evan myers #everymanhybrid matchups #Slenderverse matchup #matchup request #I'm sorry if it's bad its been over two years since I last done a matchup

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chibrary · 2 years ago

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title: "exclusive: interview with charles leclerc" source: charles-leclerc-fans.com author: franck anfosso format: interview (french) season: 2014, formula renault 2.0 summary: charles discusses racing in the 5h de brignoles for association jules bianchi #17, transitioning from karts to single-seaters & experiencing iconic tracks for the first time.

youtube

It was yesterday that the small Leclerc family was present on the Brignoles circuit to participate in the 5 hours of Brignoles, renamed for the occasion "Trophée Forza Jules". Masterfully organized by Yannick Iglésias (circuit director) and Philippe Bianchi, this 5-hour endurance race brought together top athletes like Charles or Armand Convers with amateur drivers from the region like the Scuderia Varoise , always in verve on the Brignolais circuit. Although the rain was present throughout the day, it is always with the same pleasure that we found the vice-champion ALPS 2014 for a few questions between two relays.

CLF: This is the first time that we have met here in Brignoles for an interview. What does this track remind you of? CL: This is the track from my debut and it really makes me happy to come back here. This time it's to support my friend Jules Bianchi during an endurance race, but as usual, I'll do my best to finish well.

CLF: Is a race like today, teaming up with your brothers, still very important to you? CL: Yes of course, even if the objective remains the same, namely victory. But what really matters is having fun and the gesture of support for my friend Jules.

CLF: You've been in motorsport for about ten years and you're only 17 years old. You are also very mature, but aren't you afraid of growing up too fast? CL: No, because I think maturity is essential in motorsport, so that's not a bad thing.

CLF: Do you still have time to see your friends and family during the season? CL: Yes, of course. Even though I have a busy schedule, I try to make sure I have some time for my friends and for myself because it is very important to know how to release the pressure of race weekends.

CLF: What do you have planned for Christmas and New Year's Day? CL: For Christmas I'll be with my family and for New Year's Day I'll go to the mountains with friends, before getting back to work for next year.

CLF: This year, your career took a completely new turn with Formula Renault 2.0. Can you explain to us what are the main differences between karting and single-seaters? CL: I think there are a lot of them because they are two very different worlds. The way of using the brakes and driving are very different, even if in essence the management of the race remains the same. The experience acquired in karting therefore helps me in single-seaters even if the driving is not the same.

CLF: From a physical point of view, what is more difficult? The single-seater or the KZ1? CL: I think from what I've seen so far it's KZ1. Maybe not at the level of the neck, but I think that at the level of the arms and the whole upper body, KZ remains the most difficult.

CLF: What is your assessment of your first season, and did you fulfill your objectives? CL: I'm quite happy, although obviously I would have preferred to win the championship. When we are up against a Nyck de Vries who is in his third year in Formula Renault 2.0, who knows a lot both the car and the tracks [...] I am still Rookie Champion and second overall with two wins at Monza is therefore a very good season. I also did three meetings in the Eurocup which went well, even if the one at Spa was more complicated because we never put our finger on the right settings. That's why I think it's a good season.

CLF: As an F1 enthusiast, how did you feel driving for the first time on legendary tracks like Monza or Spa? CL: Not much, even if it impresses a little the first time. Then we get used to it since this year we drove on a lot of current or old F1 tracks. Finally when I arrive on a circuit the objective remains the same, namely to learn the track as quickly as possible in order to know all the tricks that will allow me to go as fast as possible. And all that before qualifying and when I find myself up against people like Nyck de Vries, for example, who no longer has that problem, it's always a little more complicated.

CLF: So during your first lap, you don't have time to say to yourself "wow, I'm in Monza", or in Spa? CL: No, even if when you pass the first time in the steep slope of Spa, the compression is enormous, which you don't necessarily see from the outside. It's very impressive because it climbs a lot but after a few laps it becomes a habit.

CLF: What is your best memory of the season? CL: Monza! I won my first single-seater victory there on Saturday and I did it again the next day, so it was a great weekend!

CLF: Last month, you drove in Formula Renault 3.5 for half a day. Tell us your impressions. CL: It's a top car! I think she's perfect for me because you can be very aggressive with her and that's something that suits me totally. You feel the power a lot when you accelerate and I love that. There is also a big difference in terms of the brakes since they are made of carbon and it brakes much harder than in 2 litres.

CLF: What do you do during the off-season? CL: I will prepare myself physically for next year. I will go to Formula Medicine which takes very good care of me.

CLF: Finally, even if your manager Nicolas Todt will decide what your future holds, do you have a team that appeals to you more than another, whether in 2.0 or F3?

CL: Yes, but for the moment I prefer to remain neutral. I've already tried a few teams and I still have a few left. So I prefer not to say anything for the moment.

CLF: But you already have an idea! CL: Yes!

CLF: Thank you and see you very soon! CL: Thank you!

Anfosso, Franck. "Exclu : Interview Avec Charles Leclerc !" Charles Leclerc Fans. December 15, 2014. https://www.charles-leclerc-fans.com/2014/12/15/exclu-interview-avec-charles-leclerc-2/.

#year:2015 #series:formularenault2.0 #format:interview #editing:need

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whateverthedragonswant · 2 years ago

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thinking about buck and chris in the tsunami and buck helping build chris an adapted skateboard and buck being the one to sit next to chris and tell him his dad might not be coming home and eddie putting buck in his will and them having ONE SCENE together in all of 6a?like i 100% get wanting to focus on other relationships, but at this point it truly doesn’t make sense for there to be almost no buckley-diaz scenes because we KNOW how important they are to each other, romantic or not.

Hey, Anon!

I totally get what you're saying and I do agree but I also think they're still trying to show us in ways that Buck and Eddie are still very important to one another while we go through the first half of the season. They've had more than one scene together but they usually have someone else around. I think that's what you're referring to, right? The missing heart-to-hearts that they usually have? I completely get that this is throwing a lot of people off because it's not their usual pattern. Even when KR took over last season, we still got heart-to-hearts with both of them every so often. But here's the thing, I think we're going to get some of those back in 6B because if Buck does have a breakdown or he reaches a breaking point, there's no way Eddie wouldn't be part of that landscape. Because Eddie was so heavily involved in the story line two seasons ago:

Annnnd since we know the Buckley parents are returning and they're most likely it has to do with this story line for Buck this season, it stands to reason that at some point Eddie will be returning this for Buck:

And I am absolutely certain because this season so far we've seen:

Eddie reassuring Buck like he always has when Buck was worried about Karen (and this is definitely Eddie doing that by looking at Buck as he begins to speak when Buck wasn't even looking to him, he was saying it for everyone but more specifically Buck's benefit which is why we then get the looksie loo between them after he says it). Something he did in 3x16 about possibly losing contact with the firefam. Something he tried to do in 4x04 and 4x05.

And then we also get:

While it was kind of Buck and Eddie to do this for that person, isn't it weird that out of the 118, they're the only two? When you know if they had asked, Chim, Bobby, and Hen would have helped? And isn't it weird that the random people they bring with them are two men and two women, and the framing shows each man and each woman walking in together from both sides, behind Eddie, Buck, and the homeowner? They're showing this because that 5x18 scene was a big deal for these two, just like the will scene in 4x14 like you mentioned. But they also show Buck and Eddie in two different cars arriving (when they could have carpooled, especially given gas prices at that point lol) because they're on their own separate journeys, but they're going to arrive in the same place: together and back to their close relationship but this time knowing what they want and being all the stronger for it, stronger to the point that they can even help others like this homeowner. But overall one important thing: a solid, united team. And for any work partnership or friendship, this is one hell of a scenic route to go on to patch either of those up, when it won't lead somewhere past that.

So I get what you're saying and it is a bit of an odd route to take but I have faith that it will all pay off in the end. To me, as an amateur writer, it makes sense. If Buck breaks down, I don't see how anyone could justify Eddie not being there for him during that. Especially when they keep bringing to our attention that Eddie knows something is up with Buck (before learning about the donation), Eddie still knows things about Buck that no one else does (and vice versa as we saw play out in 6x09), and these two are still very much a unit, even if it's not happening physically on screen at the moment. And while I may not always agree with KR's talking points in certain interviews, I do think she's going in the direction she was told to do, just in her own way. And while it might not be the way we like, one thing they haven't gotten rid of is the story telling they're doing through other devices that films and television shows always use. Right now, KR doesn't need the GA to see Buddie, not overtly. Once it gets closer and Buck goes through what he has to, things will become less subtle. (and I have tbh, I don't even think it's really all that subtle anymore) But I still see the same story they've been telling the past few years, since season 3, and I don't see any indication that Buddie won't happen.

Like one of my other anons said, Buck spending time with other 118 members & Eddie doing the same...this is all a precursor to them eventually getting together. Once they do get together, they'll still have scenes with the firefam separately, just like we see with Hen and Karen, Chim and Maddie, Bobby and Athena, etc.

And I get what you mean about no Buckley-Diaz scenes butttt we did get that one scene in the season premiere and that is SO important because the first episode of a season always sets up what the main focal points are going to be for that season's story line of the show. And while we don't get anymore physical scenes with them, we do see Eddie and Buck discussing Chris' crush, Eddie asking Buck if Chris has told him any secrets, etc. It's still very present in the story line. And on top of that, since this season is about Buck finding out what he wants (and the donation comes into play), it makes sense that the Buckley-Diaz isn't the focus right now (scenes with the firefam or not) because Buck's relationship with both Eddie and Chris are solid. It's not coming into question right now; it's a given. Since Buck is going on this journey (and Eddie is doing his own as well), it makes sense that we don't see as much Chris/Buck or family scenes. We might get some more in 6B but I'll be honest with you, I wouldn't even be surprised if we only got one, if any at all.

Any other time we've gotten Buckley-Diaz scenes, it is always in relation to one of the three's emotional landscapes in the story. The show just worked hard to separate Eddie and Christopher so Eddie can find out what he wants for himself. They're now working to help Buck figure out what he wants. Christopher is doing well and the theme of his and Eddie's relationship this season is him getting older and not needing Eddie as much. It all makes sense then that we're not seeing the B-D unit as much this season.

But I feel you, Anon, I do. I get that this is frustrating for some. I partially blame that on the streaming culture we currently have because not only have we been waiting for this to happen for a long time, it's the waiting for weekly episodes, the winter break, the interviews in between, that kills us, too. I myself just recently gave up on a show that I regret starting because I care about the characters so much but the writing is questionable at best (which puts it very nicely) and they're more concerned with fanservice than they are good storytelling it feels like. I tried to have patience, to hang in there, trying to see what we were being told through every single device used, but I got so frustrated I said 'fuck it, I'll wait and binge when it's all said and done. I'm wasting too much time waiting and being frustrated about this so fuck it.' And it takes a lot for me to do that but getting back to the point, I get it if some people want to wait until it does happen, or that they can stream the full season once it's over. And I get the frustration, but I promise, I really do believe Buddie is on its way. It's just taking the long (scenic) route. Which is completely characteristic of slow burns but you also have networks and shows that love to milk the crap out of something like this, too. Whatever keeps people coming back to watch every week. But I get it all. I hope in this ramble somewhere I'm making sense lol.

So my very long point is to hang in there, Anon. It's coming, and I think once 6B airs in its entirety, it will all make sense. I think even rewatching all of 6A will even help pull the puzzle pieces together and all of the connections will be seen that much more. I plan to do that myself once I get some time.

I hope you have a wonderful rest of your day, Anon!!! <3

#sorry i rambled a bit there #ask #ask answered #buddie ask #911 ask #911 fox #buddie #buck x eddie #evan x eddie

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